
The general elections are underway in Vietnam for the National Assembly and local People’s Councils. Some communes and districts are reporting 99.98 and 99.99 per cent voter turnout, participation that would make any freedom-loving democracy blush. One district—just south of Ho Chi Minh City, in fact—reported 100% voter turnout.
This probably has nothing to do with the fact that the police know where you live and who votes, but perhaps that’s splitting hairs.
Now, look at Uncle Ho again. I’ve seen a few photos of Ho in my time here, but not this particular one. It’s fairly common for the propaganda posters to be modified from real (or sure, imagined) photographs. But this poster is different. There aren’t that many photos of Ho outright smiling—looking benevolent, yes; baring his teeth, no. But as this autocratic regime ages; Ho magically becomes somehow younger (in spite of the white beard), a rictus grin across his face.
The crowd below him sprints off to the left (good!), clutching the tools of their trade and (invisible) voting papers. But it could be argued—in the semiotics of art—the throng hurries back to the past; not the future, which is to the right. Maybe this is why Ho sports such an uncomfortable smile. It’s the strained look of someone trying to cover for someone else, like your drunken date at a work party or when Aunt Minnie bellows expletives. Uncle Ho has long grasped what the Party has not.
“Elections?” says a Vietnamese friend. “We are not thirsty to vote. The politics is just nonsense.” During a luncheon date another friend echoes the first. “You have many choices, OK, you make the right decision. You have no choice, then….” he said shrugging.

